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目录
| # | 曲目 | 时长 |
|---|---|---|
Disc1 | – | |
| 1 | Come Together (2019 Mix) | 4:20 |
| 2 | Something (2019 Mix) | 3:02 |
| 3 | Maxwell’s Silver Hammer (2019 Mix) | 3:27 |
| 4 | Oh! Darling (2019 Mix) | 3:27 |
| 5 | Octopus’s Garden (2019 Mix) | 2:50 |
| 6 | I Want You (She’s So Heavy) [2019 Mix] | 7:47 |
| 7 | Here Comes the Sun (2019 Mix) | 3:05 |
| 8 | Because (2019 Mix) | 2:45 |
| 9 | You Never Give Me Your Money (2019 Mix) | 4:02 |
| 10 | Sun King (2019 Mix) | 2:26 |
| 11 | Mean Mr. Mustard (2019 Mix) | 1:06 |
| 12 | Polythene Pam (2019 Mix) | 1:12 |
| 13 | She Came In Through the Bathroom Window (2019 Mix) | 1:58 |
| 14 | Golden Slumbers (2019 Mix) | 1:31 |
| 15 | Carry That Weight (2019 Mix) | 1:36 |
| 16 | The End (2019 Mix) | 2:21 |
| 17 | Her Majesty (2019 Mix) | 0:25 |
| Disc2 | – | |
| 1 | I Want You (She’s So Heavy) [Trident Recording Session & Reduction Mix] | 6:59 |
| 2 | Goodbye (Home Demo) | 2:23 |
| 3 | Something (Studio Demo) | 3:37 |
| 4 | The Ballad of John and Yoko (Take 7) | 3:37 |
| 5 | Old Brown Shoe (Take 2) | 3:15 |
| 6 | Oh! Darling (Take 4) | 3:30 |
| 7 | Octopus’s Garden (Take 9) | 1:43 |
| 8 | You Never Give Me Your Money (Take 36) | 5:17 |
| 9 | Her Majesty (Takes 1-3) | 1:33 |
| 10 | Golden Slumbers / Carry That Weight (Takes 1-3 / Medley) | 3:20 |
| 11 | Here Comes the Sun (Take 9) | 3:40 |
| 12 | Maxwell’s Silver Hammer (Take 12) | 4:44 |
| Disc3 | – | |
| 1 | Come Together (Take 5) | 3:30 |
| 2 | The End (Take 3) | 2:11 |
| 3 | Come and Get It (Studio Demo) | 2:42 |
| 4 | Sun King (Take 20) | 3:14 |
| 5 | Mean Mr. Mustard (Take 20) | 1:34 |
| 6 | Polythene Pam (Take 27) | 1:39 |
| 7 | She Came In Through the Bathroom Window (Take 27) | 2:06 |
| 8 | Because (Take 1 / Instrumental) | 3:07 |
| 9 | The Long One: You Never Give Me Your Money / Sun King / Mean Mr. Mustard / Her Majesty / Polythene Pam / She Came In Through the Bathroom Window / Golden Slumbers / Carry That Weight / The End | 16:10 |
| 10 | Something (Take 39 / Instrumental / Strings Only) | 2:41 |
| 11 | Golden Slumbers / Carry That Weight (Take 17 / Instrumental / Strings & Brass Only) | 3:17 |
专辑简介
如果你想打开披头士宇宙的大门，毫无疑问，这张《Abbey Road》是一把重要的钥匙。“因为这是他们听起来最现代的一张专辑，”制作人 Giles Martin 说，“一点也听不出它是在二十世纪 60 年代录制的。”
在专辑发行 50 周年之际，Giles Martin——披头士原制作人 George Martin 之子，与团队一起用最新技术为专辑重新混音，提升音质效果，重新定义了这张专辑在当代的意义。“我们在混音时所力求做到的，就是当人们在 Apple Music 上听歌时，可以在紧临 Ed Sheeran 的歌单或电台旁边，也打开披头士的，”Giles Martin 说，“我很希望年轻一代或那些新听众来‘重听’披头士。”除了重新混音的原版歌曲外，专辑还收录了许多从未发行过的 Demo 等录音，从中你可以听到披头士对同一首歌以不同方式作出的诠释。你也能听到他们录音时的对话，贴近那种真实的生活状态，感受乐队在濒临解散前录音时的气氛。无论是 John 跳脱而幽默的话语，还是 Paul 工作时的完美主义，这些鲜活声音都将听者带回 50 年前那间著名的录音室，与披头士成员一起参与到这张伟大专辑的录制中来。
《Come Together》中的鼓声原本只是静止在一处，但在新混音中会听起来更加立体，质感丰富。《Something》《Here Comes The Sun》这两首 George 创作的经典也被重新诠释，听者能再次认识到他所拥有的创作天赋。《I Want You (She\’s So Heavy)》长达三分钟之多的吉他演奏，以及 Moog 合成器中白噪声“风声”音效，都使这首歌特立独行。而在《The End》中，Giles Martin 为了要创造立体声的效果，在录音室里播放了管弦乐的部分，并将原本都在同一个音轨上演奏的 Paul、John 和 George 的吉他声分离。他说：“我们所做的就是尽量贴近他们的表演，当人们在听《Abbey Road》时，应该意识到这就是他们的现场演奏。现在人们可以听到，他们彼此相爱。”
