目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | Violin Sonata in D Minor：I. Allegro ma non troppo | 00:07:29 30M |
| 2 | Violin Sonata in D Minor：II. Adagio quasi Andante | 00:05:22 19M |
| 3 | Violin Sonata in D Minor：III. ScherzoAllegro scherzando | 00:03:43 14M |
| 4 | Violin Sonata in D Minor：IV. FinaleAllegro moderato | 00:05:19 21M |
| 5 | Violin Sonata in D Minor：I. Andante elegiaco | 00:11:15 45M |
| 6 | Violin Sonata in D Minor：II. Allegro | 00:07:08 27M |
| 7 | Violin Sonata in D Minor：III. EpilogueAndante mosso | 00:02:11 9M |
| 8 | Violin Sonata, Op. 38：I. Lento – Allegro non troppo | 00:07:35 28M |
| 9 | Violin Sonata, Op. 38：II. Andante | 00:05:54 20M |
| 10 | Violin Sonata, Op. 38：III. Presto | 00:04:30 19M |
| 11 | Violin Sonata：I. Legende | 00:04:10 16M |
| 12 | Violin Sonata：II. Improvisation | 00:05:55 22M |
| 13 | Violin Sonata：III. Finale | 00:04:08 17M |
专辑简介
20 世纪立陶宛作曲家在现代表现形式与民间主题之间的对话在本录音的四部作品中得到了充分体现。格鲁迪斯的作品具有浪漫主义美学的轻快俏皮之感，而巴奈蒂斯则在奏鸣曲中将民族抒情与个人悲伤融为一体。瓦伊努纳斯在苏联占领的限制下创作的奏鸣曲 充满了悲伤，而尤泽柳纳斯的独特风格对立陶宛音乐的未来产生了巨大影响。所有这些作品都象征着生存，代表着在最严酷的条件下忠于自己的创作身份。
