目录
| # | 曲目 | 时长/大小 |
|---|---|---|
1 | Cello Suite No. 1 in G Major, BWV 1007 I. Prelude | 00:02:44 28M |
| 2 | Cello Suite No. 1 in G Major, BWV 1007 II. Allemande | 00:03:53 40M |
| 3 | Cello Suite No. 1 in G Major, BWV 1007 III. Courante | 00:02:39 27M |
| 4 | Cello Suite No. 1 in G Major, BWV 1007 IV. Sarabande | 00:02:34 25M |
| 5 | Cello Suite No. 1 in G Major, BWV 1007 V. Menuet I-II | 00:03:12 32M |
| 6 | Cello Suite No. 1 in G Major, BWV 1007 VI. Gigue | 00:01:47 18M |
| 7 | Cello Suite No. 2 in D Minor, BWV 1008 I. Prelude | 00:03:49 39M |
| 8 | Cello Suite No. 2 in D Minor, BWV 1008 II. Allemande | 00:03:25 35M |
| 9 | Cello Suite No. 2 in D Minor, BWV 1008 III. Courante | 00:01:51 19M |
| 10 | Cello Suite No. 2 in D Minor, BWV 1008 IV. Sarabande | 00:04:13 42M |
| 11 | Cello Suite No. 2 in D Minor, BWV 1008 V. Menuet I-II | 00:03:01 31M |
| 12 | Cello Suite No. 2 in D Minor, BWV 1008 VI. Gigue | 00:02:37 27M |
| 13 | Cello Suite No. 3 in C Major, BWV 1009 I. Prelude | 00:02:39 27M |
| 14 | Cello Suite No. 3 in C Major, BWV 1009 II. Allemande | 00:03:29 35M |
| 15 | Cello Suite No. 3 in C Major, BWV 1009 III. Courante | 00:03:01 31M |
| 16 | Cello Suite No. 3 in C Major, BWV 1009 IV. Sarabande | 00:03:47 38M |
| 17 | Cello Suite No. 3 in C Major, BWV 1009 V. Bourree I-II | 00:03:21 34M |
| 18 | Cello Suite No. 3 in C Major, BWV 1009 VI. Gigue | 00:03:01 31M |
19 | Cello Suite No. 4 in E-Flat Major, BWV 1010 I. Prelude | 00:04:06 42M |
| 20 | Cello Suite No. 4 in E-Flat Major, BWV 1010 II. Allemande | 00:04:26 45M |
| 21 | Cello Suite No. 4 in E-Flat Major, BWV 1010 III. Courante | 00:03:20 34M |
| 22 | Cello Suite No. 4 in E-Flat Major, BWV 1010 IV. Sarabande | 00:03:58 40M |
| 23 | Cello Suite No. 4 in E-Flat Major, BWV 1010 V. Bourree I-II | 00:04:34 47M |
| 24 | Cello Suite No. 4 in E-Flat Major, BWV 1010 VI. Gigue | 00:03:02 31M |
| 25 | Cello Suite No. 5 in C Minor, BWV 1011 I. Prelude | 00:05:48 60M |
| 26 | Cello Suite No. 5 in C Minor, BWV 1011 II. Allemande | 00:05:30 55M |
| 27 | Cello Suite No. 5 in C Minor, BWV 1011 III. Courante | 00:02:06 21M |
| 28 | Cello Suite No. 5 in C Minor, BWV 1011 IV. Sarabande | 00:02:54 28M |
| 29 | Cello Suite No. 5 in C Minor, BWV 1011 V. Gavotte I-II | 00:04:52 50M |
| 30 | Cello Suite No. 5 in C Minor, BWV 1011 VI. Gigue | 00:02:11 22M |
| 31 | Cello Suite No. 6 in D Major, BWV 1012 I. Prelude | 00:04:44 51M |
| 32 | Cello Suite No. 6 in D Major, BWV 1012 II. Allemande | 00:07:37 80M |
| 33 | Cello Suite No. 6 in D Major, BWV 1012 III. Courante | 00:03:35 37M |
| 34 | Cello Suite No. 6 in D Major, BWV 1012 IV. Sarabande | 00:04:49 51M |
| 35 | Cello Suite No. 6 in D Major, BWV 1012 V. Gavotte I-II | 00:03:40 40M |
| 36 | Cello Suite No. 6 in D Major, BWV 1012 VI. Gigue | 00:04:02 43M |
专辑简介
巴赫的大提琴曲对任何一位大提琴家来说都算得上是曲目中的最高峰。Philip Higham决定忠于巴赫原曲。他选择从巴赫妻子安娜·玛格达丽娜·巴赫的原作手稿复制品中寻求答案。尽管如此，对Higham来说，重新参考巴赫手稿不是对其权威的挑衅，而是为了更加深入地了解原作以便更好地演绎。
他敢于打破已有的框架，在演奏和选择乐器时兼顾古典和现代风格。一把1697年产的大提琴演奏组曲的前五首。而另一把2013年产的五弦大提琴奏出那音域广阔的第六首组曲，这首也是巴赫最为得意的作品之一。
